Titus Andronicus at Bluebird Theater - 09.15.10

Categories: Concert Reviews

Jonathan Easley

with Free Energy
09.15.10 | Bluebird Theater, Denver

Free Energy opened for Titus Andronicus at the Bluebird last night, and while I was skeptical of the band's hype upon entering the venue, I'm fully on board now. The Philly quintet has received breathless reviews for its power-pop revivalism, but my only previous exposure to the band was through its hit song, "Bang Pop." The act apparently has more skill and depth than that song would suggest, and it also has an inborn capacity for showmanship.

Jonathan Easley

Lead singer Paul Sprangers is electric. He has thin hips, makes liberal use of his commercial-quality hair, and the dude can flat-out dance. His band also showed some range when Titus Andronicus frontma, Patrick Stickles joined the outfit on stage for a cover of Bruce Springsteen's "Going Down," which Free Energy had covered previously on a split seven-inch with Titus Andronicus, which itself covered the Television Personalities' "Anxiety Block."

Jonathan Easley

Although the moment seemed counterintuitive, considering that Titus Andronicus's album is the one that's full of Springsteen references, Free Energy nailed it. That the band's tight melodies make the perfect summertime rock-and-roll soundtrack was a melancholy reminder that the leaves are changing color outside. Still, they kept it hotter than blazes inside the Bluebird.

Jonathan Easley

Titus Andronicus's latest release, The Monitor, is broken up by spoken-word pieces from Ken Burns's Civil War documentary. Upon taking the stage, Stickles invited an inebriated audience member up to recite the album's opening dialogue. The dude recited it verbatim, and with good vigor, before diving into the crowd as Titus Andronicus broke into "A More Perfect Union."

Jonathan Easley

Stickles sings from behind a big, bushy beard, and he immediately put to rest any doubt that his slight frame might be incapable of reproducing the vocals from the band's albums. Songs like "Richard II" and "No Future Part Three" require a sustained and focused howling energy.

The crowd was in good form, and ready to shout along with the band from the start. This was good news, because The Monitor is stocked with lines that you want to belt out. Eyes widened in anticipation of the money lines, the best being Stickles's Springsteen riff, "Tramps like us, baby we were born to die!"

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