Anthrax at Summit Music Hall, 10/18/10
Aaron Thackeray Anthrax
Cephalic Carnage • Havok
10.18.10 | Summit Music Hall, Denver
Cephalic Carnage talks a lot about its love for THC-related products on stage. "Lucid Interval," for example, is evidently about being totally stoned and sober at the same time. Just the same, most of the songs written by the band, at least those not written about other hedonistic pastimes such as compulsive self-love ("Persistent Genital Arousal Disorder"), address the folly of humankind. "Misled by Certainty," we were informed, is a kind of warning against being absolutely certain of anything to the point of not questioning even one's core assumptions.
But Cephalic wasn't all marijuana and existential issues. At one point, for the band's black-metal song, everyone donned costumes of one stripe or another. The bassist wore a horse's head, like he had seen The Godfather one too many times, while the rest wore evil, clownish masks and made the stage look like a gathering of the masked icon of the Saw series.
Tom Murphy Cephalic Carnage
Cephalic had just returned from a European tour, and it showed a little, but it did not prevent the guys from executing their songs with confidence and humor. The newer material sounded like a slight departure from the technically proficient, jazz-inflected metal of years past, and not brutal so much as heavier.
Before Anthrax took the stage, the room went dark and air-raid siren sounds filled it with samples of voices commenting or saying various things in the background. Everyone took the stage one by one, beginning with Scott Ian, who played the opening strains of "Among the Living." In response to this, naturally, the crowd went a little wild, even more so when Joey Belladonna finally took the stage and sang one of the band's most beloved songs. A sizable portion of the crowd knew most of the words and sang along heartily, so much so that at times, Belladonna extended his mike into the crowd to exchange choruses.
Before long, the band realized that this was a wildly enthusiastic crowd clearly familiar with its classic material, and it responded in kind with the type of performance that comes from being in a good mood and feeling appreciated by the people who showed up. Throughout the show, numerous people rode the crowd to the barricade in front of the stage. The security at the Summit was prepared for this kind of thing, so everyone who rode the crowd too far got deposited on the ground and sent on his merry way.