Thee Goochi Boiz, Night of Joy, Bury My Bones, Miracleman at Rockaway, 03/05/11

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Tom Murphy
Miracleman

THEE GOOCHI BOIZ
With Night of Joy • Bury My Bones • Miracleman
03.05.11 | Rockaway Tavern

Miracleman -- the duo comprised of Chris Westin and Sara Century -- with its bedraggled drum kit, keyboards, a tape player with samples and an acoustic guitar, set up on the floor in front of the stage. You'd be excused for thinking the band was going to be one of those eccentric Americana acts, except that neither Westin or Century went for that sort of look. Instead, the pair offered a fractured, often atonal sound pushed along by an emotional savagery and eruptive exuberance that nearly made the music tip over into shambles.

Miracleman's cover of Sleater-Kinney's "Don't Think You Wanna" took the original and stretched it out into a slightly different shape that captured the spirit of the original. On the Gun Club's "Sex Beat," though, the reworking of the song was the equivalent of all the King's horses and all the King's men trying to put Humpty Dumpty back together again. Except that, against all odds, it worked. The final two songs of the band's set included keyboards, with the first sounding like a song by The Residents from The Commercial Album, and the last like a jingle for a better way of life, rather than some useless product you don't need.

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Tom Murphy
Bury My Bones

Bury My Bones, up next, is the kind of band that a lot of people like for the wrong reasons. A part of that being that a lot of people probably have only a vague clue about the music being referenced in the soundscaping Diana Sperstad creates with her guitar. Yes, her stuff is expansive and ethereal, often with electrifying guitar sounds and melodies.

But a lot of people see this petite, cute girl who can actually play and this blows minds. Yes, it happens -- a lot of women can really play, too. Where Sperstad deserves the most credit, though, is in her ability to time the guitar loops she creates, layering a lead over a rhythm line in a way that creates a much larger sound with solid songcraft and technical proficiency, which is much more difficult to do.

Along with drummer Fez Garcia, Sperstad was able to create great dynamic tension balanced against a heartbreaking melancholy that perfectly expressed a yearning loneliness. Sperstad and Garcia closed their set with a surprisingly spot on cover of "Behind The Wall of Sleep," sans bass and Ozzy's inimitably robust vocals.

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Tom Murphy
Night of Joy

Fez Garcia didn't have to take his drums off stage because he also plays for Night of Joy. Backbeat's own Bree Davies and Valerie Franz set up to his left. Without much preamble, Night of Joy opened the set with "Cool Runnings." Garcia's drumming was only divergent from his performance with Bury My Bones in that he excels at matching his percussion style to the mood and the texture of the music. Night of Joy's generally more aggressive music had Garcia playing to break his sticks.

Location Info

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The Rockaway Tavern - CLOSED

2036 Broadway, Denver, CO

Category: Music

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6 comments
David Gasten
David Gasten

Irony: helping university students look smarter than they really are since 1967!

saracentury
saracentury

I love Night of Joy. They deserve every word of press that they get, and they were a band way before Bree started writing for Backbeat. Naturally, I'm only saying that because I'm sleeping with them all, but the fact remains, they rule my life.

Gil Portnoy
Gil Portnoy

Writing about other Backbeat writer's bands? Really? Maybe you could put them on the cover next issue too, 'cause that would be wicked professional.

Chrisbrown
Chrisbrown

just to let everyone know, no one got paid by the bar and the sound is always terrible.

türk dili
türk dili

Music resting human spirit. Generally, I like these kind of tunes. We always wanted to make music, but of course there is not talent. Nice to get in to listen to ...

gilisatool
gilisatool

or you could listen to the music and see that it has nothing to do with the fact she works there, gil. grow up.

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