Opiuo on his recent ear surgery and why Burning Man is so crucial for American culture

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Opiuo, New Zealand's liaison to funk, has built quite a following in this country with his Down Under sound. Residing primarily in Australia nowadays, the DJ-turned-producer is healing up from a recent surgery on his ear canal and turning his attention to hitting the road before returning to the studio to continue churning out remixes and original scores. In advance of his show next week at Cervantes' Masterpiece Ballroom -- which is part of a run that includes six shows at this week's Burning Man festival -- we spoke with Opiuo about his recent ear surgery and why he thinks the desert rock gathering is so crucial to American Culture.

See also: Fifteen Burning Man GIFs that will make you want to go

Westword: You're on tour right now in America. How many shows are you squeezing in?

Opiuo: I've got about ten stops on the tour, then six shows at Burning Man, and then it's back to Australia for a tour. After that, I have a week off and then come back over here again.

When do you sleep?

On the airplane. It's pretty crazy. When I get in the mode of touring, I sleep when I can. So, tomorrow, I play a show, and then I'll sleep during the day before getting my mind ready for a set; then I'll play again, and the cycle will continue.

What do you mean by "get your mind ready for a set?" Do you have any pre-show rituals, or any sort of meditation?

It's in times like these that I take a look at the music I've made and organize tracks and see what I've got. In terms of pre-show rituals, I guess the only thing is tequila. I never get nervous before I play -- maybe a day out before, but before a show it's a few shots of tequila.

For a tour like this where you have about sixteen stops, do you rework your music between stops according to what you think works and what didn't?

For sure. I write music when I'm home, and as soon as I go on tour, I rearrange everything. Even with songs I have, I rearrange where the drop is, so each stop is kind of an experiment. I never know which shows are gonna do what, so I just stay on my toes, and pay attention to what works.

And when you're done with tour, it's right back to the studio?

Exactly. That's the most stressful part of it is all the schedule changes.

What do you like most about producing and the music you create?

I've got the freedom to do what I want right now, because of that lack of genre classification, people like me remixing their tracks from all across the board. Whether it's drum-and-bass acts to classics, or whatever. I'm starting to get back into remixing. After that, it's back to the solo stuff and creation. For me, I just like making music that makes people feel something, and makes me feel something. Whether it's good or bad, I just want to sit down and chill.

There is a lot of music out there that is made for the dance floor to make people go crazy, but I just want people to feel some sort of emotion. I think a lot of time people take themselves too seriously, and then their music is a direct reflection of that. I think there is too much of that in this world. So people just take themselves less seriously.

Do you think your music represents your personality in the same way lyrics represent the vocalist?

I do. It comes and goes. I go through stages... recently I had surgery on my ear, which I've had trouble with my whole life, so I've been deaf for a majority of my life from mid-primary school to now, and it's starting to come back. I've been hearing things more, but that's another crazy story. I think my music reflects the stages of my life, and right now, it's really fun. I'll make something wonky and crazy, and sometimes I'm all about something more cruising and solid. So, yes, it really reflects who I am and where I'm at.

Are there songs that you create that have a somber tone to you, but when you play them, the crowd goes crazy?

Not so much. I mean, I really think there are times when I go into the studio something might be born out of frustration, or another emotion other than having fun, but by the time I'm done, I'm happy and rocking. So that moment in the studio is a healer in its own way. Maybe the music started out that way, but my music is never deep and somber. It's all about getting on the dance floor and having a good time.

Keep reading for more of our interview with Opiuo

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Cervantes' Masterpiece Ballroom

2637 Welton St., Denver, CO

Category: Music

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