Shakey Graves on dressing like a cartoon character and packing a suitcase drum

Categories: Interviews

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Leslie Simon

Shakey Graves (Alejandro Rose-Garcia) is a one man force to be reckoned with. Armed with a vintage guitar, attention grabbing musical stylistics and a drum made out of a suitcase, this one man band grabs audiences like no other; you can hear a pin drop at his shows. In advance of his shows next week at the Fox in Boulder and the Ogden, we caught up with Shakey while he dealt with the cable company, school zones and ornery old men.

See also: Shakey Graves at the Fox Theatre on 10/31, and the Ogden Theatre on 11/1

Westword: How's your day going? Even big rock stars have cable issues?

Shakey Graves (aka Alejandro Rose-Garcia): Oh my god. It's a wasteland in there. I've never had to physically go into Time Warner Cable before, and it's just confused, pissed off people holding remote controls and stuff.

Is that in Austin? I didn't even have cable there because of Time Warner.

Oh god, I don't even have cable; this is just internet stuff. I've just barely started using Twitter and all. I mean, I've had an account for a while but never messed with it, and only recently started to see how quickly it can get you in touch with other bands, and right off the bat yesterday, I was being totally messed with by Time Warner Cable, and they were making me jump through all these hoops. So I tweeted, you know, at Time Warner Cable "Fuck you @timewarnercable!" and right off the bat, Dish Network and DirectTV both were like, "Hey, buddy! What's the deal with you?" and I was like, "Get the fuck away from me, DirectTV, and you too, Dish Network! Get out of here!"

So you have two shows coming up at the end of the month in Colorado, and the last time you were here was at hi-dive right after SXSW, and it was packed. How does that feel to know you are so popular outside of Austin?

Well, that felt great, that show was set up maybe a week before, and I have really lucked out that I have pockets of fans all over the U.S., and at that point, I hadn't toured around there that often. You get people that have three years of pent up "I really want to see this dude" feelings, but there are certain places were the bubble bursts. When I first went to Chicago, it was mayhem. It was the drunkest, rowdiest Chicago people that had been waiting three years, and they just got drunk as hell and wanted to get me drunk as hell. Just insanity. Wait... hold on a second, I'm going through a school zone. Sorry. I've gotten a ticket before.

Speaking of your twitter, you brought up that you got a pair of Guate boots. Are they as awesome as they look online?

Dude, they're so awesome. I don't even know how to wear them, though. They are so crazy looking. I just pay attention to my own feet the whole time I'm wearing them. I haven't figured out what kind of outfit do you wear with these outrageous Guate boots. I mean, for girls, you are probably going to be able to rock them 24/7; I'm used to really monotone footwear, so there's kind of a learning curve for me. A girl I went to high school with sells those, and they came out to a show I played in Nashville and gave them to me as a promotional deal.

You always look stylish; do you shop for yourself and have an idea of the image you want to project?

Of course I shop for myself! I dress like a cartoon character, I have like forty versions of the same outfit, and then just slight variations, but I've always though clothing speaks of your character. Like one half of me is really anal about stuff -- like I hate wearing shorts, but then sometimes shorts make sense. If I could I'd wear a suit every day, and I know that sounds crazy because some people have to wear a suit every day, it wouldn't be a frumpy business suit, though. I believe in underdressing to a certain degree. Big fan of the wife beater, jeans and boots.

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Leslie Simon
Behold the majestical, magnificent suitcase drum.

One thing that people are so curious about is your suitcase drum. What's the history on it?

That was built for me by a close friend. We actually went out on the town last night and saw Langhorne Slim at the Parrish. I met Sean of Langhorne Slim earlier this year, and we have been running into each other on festival circuits, and his bass player played bass for me at one period in time. From there, we went over to White Horse and ran into Cooper from Devil Makes Three, and was like, "What are you doing here?" and he was all, "I live here, man."

Anyway, the suitcase drum was something I wanted to do for a while -- aw shit. Just filling you in. I'm going to Central Market right now; some grumpy old man is giving me a blend of the "F You" under-the-chin thing and a "stop talking on the phone" signal. Anyway, originally with Shakey Graves, the issue I always faced was that I sounded one way in my bedroom and totally different live, and I was trying to have consistency. I didn't want to have excuses like, "Oh, I can't sound the way I want to sound because there's no power outlets.

At that point in time, I was playing with a kick drum and a high hat, and I didn't have a kick drum or a high hat, so I would have to borrow from my friends all the time and take their drum kits apart. Will, the guy that made it, is a drummer, and he's a crazy engineer who can build stuff like a wizard, and eventually, I was asked to be the official busker for the Edward Sharpe and Mumford & Sons Railroad Revival tour, and I needed it. And at every stop, they had someone at the gates to set the mood.


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