Download Force Publique's haunting new cover of "Today" by the Smashing Pumpkins

Categories: Freeloader

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Sometime in the last year, Force Publique shifted its focus a bit to include electric guitar rather than bass and the opted for using an MPC over playing pre-crafted beats made on software. The resulting sound is still darkly moody as it was during the band's more post-punk period, but this version of Force Publique is stronger and more confident with a noticeably broader palette.

See also:
- Monday: Force Publique at the Larimer Lounge, 6/10/13
- Force Publique's James Wayne and Cassie McNeil shed light on their dark sound
- Meet Force Publique, our latest infatuation


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Listen to "They Call Us the Irish," a new track from Time's forthcoming album, Newstalgia

Categories: Freeloader

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Randy Stillwell

Time (aka Chris Steele) has long been focused on enacting positive change and has rarely been shy about voicing his opinions. As a journalist, he's written on controversial subjects ranging from UFOs to the government's role in the death of Fred Hampton of the Black Panther Party -- and has received death threats in return. Time hooked us up with a new track from his upcoming project, Newstalgia, "They Call Us the Irish," and it's just as brave and painfully honest as you'd expect.

See also:
- Time keeps on ticking with an Adam Yauch tribute and new album in the works
- A first look at Time's video for "Why My Money Ghost" from his 12 Headed Hydra series
- Time on his possible status as one of the secret rulers of the world


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The Congress recorded a covers album in an old Masonic Temple on an old Tascam eight-track

Categories: Freeloader

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Josh Elioseff

Typically when a band records and releases a covers album, it's a sign of creative fatigue. This is not the case with the Congress, who picked up an old Tascam 388 reel-to-reel recorder and decided to record a bunch of covers, for an EP titled The Loft Tapes, which they'll release tomorrow night at the Bluebird. Inspired by listening to Donny Hathaway's live album, the guys evidently thought it would be cool to record a bunch of tunes nodding to the soul greats that inspired them -- raw, live, straight to tape, with as minimal fuss as possible.

See also:
- Saturday: The Congress EP release at Bluebird Theater, 3/16/13
- Playing cover songs is a sign of creative fatigue
- It's been a good year for this Congress


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While there have been a hundred Jay-Z mash-ups, American Gangster by Big J Beats stands out

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Contrary to trends among rising hip-hop artists these days, Big J Beats doesn't flood the internet with a new song or mixtape every other week. But despite the shortage of releases, he's definitely prolific, and it turns out his hard drive is a gold mine of unreleased gems, including American Gangsters, a jewel of a remix album he dropped last week that combines Jay-Z a capellas with the soulful sounds of the O'Jays -- a natural combination in more ways than their shared syllable.

See also:
- Review: Jay-Z at the Pepsi Center, 3/22/10
- What are Jay-Z's 99 problems? We know a bitch ain't one
- Jay-Z's come a long way from the Marcy Projects


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Sample a track from the Hollow Talk, the new band feat ex-members of d.biddle and more

Categories: Freeloader

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Hollow Talk. You probably don't know the name yet, but you're almost certain to recognize the names of players in this new outfit, which is slated to make its live debut tomorrow night at the hi-dive with the Big Get Even and Rowboat. I hesitate to toss out the "supergroup" designation here, as it's vastly overused, and it sometimes sets the bar unfairly high for expectations right at the onset. Honestly, though, it's fitting for this particular group. There's ample reason here to expect greatness.

See also:
- Saturday: Hollow Talk at the hi-dive with the Big Get Even and Rowboat, 2/16/13
- Q&A with the men of d.biddle
- The men of Rowboat on how this band is different from Blue Million Miles


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Black In Bluhm marks first anniversary by posting a free thirteen-track compilation

Categories: Freeloader

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blackinbluhm.com

Chris Fogal's studio has been around for three years, but this evening he and Dan Fox are celebrating Black In Bluhm's first anniversary with a little gathering amongst friends at their studio. Three years ago, the pair became partners and moved the studio out of Fogal's Park Hill basement and into the building where the studio now resides at Colfax and Dahlia. Fox, who plays in the Dropskots, manages the studio's eight rehearsal spaces, while Fogal handles all of the production and engineering.

See also:
- After nine years of pop-punk heartache, the Gamits have the Antidote
- For Tauntaun, inspiration didn't strike until the band indulged its inner metal head
- 25 Reasons the Denver Music Scene Rules


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Spoke In Wordz drops the title track from the Around the World and Back documentary

Categories: Freeloader

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Last month we told you about Around the Word and Back, the documentary being made about Matt Rutherford, a local man who made history by sailing around both continents of the Americas by himself. In the process of putting the movie together, director Tony Salvia came across music that Rutherford had made with his former classmate Spoke In Wordz. Inspired by what he heard, Salvia got in touch with the rapper and asked him to produce some music for the film. With the help of David McCoy (DMD) and LateNite Ent, Spoke delivered a track that's set to be featured in the opening scenes of the movie. Continue on to listen to "Around the World and Back."

See also: Matt Rutherford's unlikely trip around the Americas reconnected him with Spoke In Wordz

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Preview a brand-new track from Tin Horn Prayer's forthcoming album, Grapple the Rails

Categories: Freeloader

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Tiffiny Kallina

Tinhorn Prayer has finished work on its brand-new album, Grapple the Rails. We've got a sneak peek of the cover art, designed by Ryan Besch, best known for his merch design work for acts like the Black Keys, Black Rebel Motorcycle Club and Flatfoot 56, as well as a look at a track from the forthcoming album. Slated for release this fall on Paper + Plastik Records, the imprint founded by Less Than Jake drummer and Fueled by Ramen co-founder, Vinnie Fiorello, Grapple the Rails follows a split seven-inch on P+P with Rob Huddleston, and a pair of releases by fellow locals the Gamits and Jon Snodgrass. Page down to get a gander at the cover and give a listen to "Call a Priest."

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Download two new tracks from the Foodchain

Categories: Freeloader

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See Also: The Foodchain pushes its live energy into the studio

Hot on the heels of its latest release, Brunch, the Foodchain is back with a whole bunch of new music. The crew will be releasing one song a week for the rest of the summer as a part of its summer series, which kicked off last week with "Gone." We've got that track below, along with this week's cut, "Young Amsterdam," an ode to the high-flying lifestyle of the Mile High City. This new smoker's anthem, produced by Mass Prod, finds the cats musing about Mary Jane over a laid back beat. Page down to get your Friday Freeloader on, and then turn this one up, roll your windows down and get high.

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Time keeps on ticking with an Adam Yauch tribute and new album in the works

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Dirty Laboratory
Among a handful of the local music-scene tributes to recently deceased Beastie Boy Adam Yauch, Time offered his respects for the fallen MC and activist on a new tune, "Too Sweet to Be Sour," a cross-Atlantic collaboration with British MC Akira the Don. The track opens with a crisp horn line looping over a pounding '80s analog kit reminiscent of Rick Rubin's License to Ill-era productions. The sampled chorus, Yauch's line "Too sweet to be sour/To nice to be mean," introduces each MC, whose verses mingle memories and some clever Beastie references.

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