Review: I Know Who Killed Me
I Know Who Killed Me opens tonight at theaters everywhere. And while the powers that be didn't offer a screening in time to make the paper version of Westword, we have one for you here.
Watch the mallrats’ jaws drop as they pay to see the same old teen slicer-dicer, only to get this wacko hodgepodge of the Brian De Palma horror filmography and -- I swear to God -- Kieslowski’s The Double Life of Veronique. Lindsay Lohan plays a demure honor student who gets abducted by a psycho and appears weeks later in a hospital bed, missing --well, let’s just say that piano scholarship may need rethinking. Worse, the girl not only has no memory of her past but claims to be someone else entirely -- a jackpot for her horny jock boyfriend (Brian Geraghty), whose girlfriend suddenly morphs from a bashful abstinent into an exotic dancer hot to hit the pole. In short, it’s a gift-wrapped part for Lohan, who plays her good-girl/bad-girl role with wit and an air of sly calculation. Despite some disgusting (and obligatory) meatball surgery with rotting fingers and severed hands, this intriguing oddity -- directed by Chris Sivertson (The Lost) -- is less a shocker than a surreal, disjointed mood piece about teen alienation. The script even has the nerve to forsake the obvious solution for something much crazier and over-the-top -- the kind of high-altitude nonsense that can only be explained onscreen by radio paranormal maven Art Bell via a Kafka allusion. Yes, it’s that kind of Lindsay Lohan movie. -- Jim Ridley