Columbine on TV: The five most convoluted school shooting episodes

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OMG! Kids hide on OTH!
This week's feature, "The Columbine Effect," reports on the controversy over a proposed miniseries about the shootings at Columbine -- and the way filmmakers have made use of the tragedy to advance various agendas of their own. But references to Columbine in indie films and documentaries, however upsetting to survivors of the attack on the school, still tend to be less gratuitous than the license network television shows have taken with the event.

In order to give us stories ripped from yesterday's headlines -- and crank up the ratings of tired, formulaic cop shows and teen-angst dramas -- writers for various series have tried their hand at a school shooting plot. Typically, that means borrowing a few bare details from press coverage, working up some kind of theme about bullying and brilliant geeks striking back...and then adding a few incoherent twists and sub-subplots so that the show can address its more customary Big Questions, such as whether that cute assistant DA is going to let the sensitive, guilt-wracked cop buy her a drink or not.

Here are five queasy forays into real-life action that left us wondering how we got from something as heart-wrenching and indelible as the attack on Columbine to this synthetic mess:

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Rory Culkin.
5. Law & Order SVU: "Manic" (2003).
A young teen (Rory Culkin) is first mistaken for a survivor of a shooting that claimed two other students, but it turns out that the kid is the shooter, a bullied outcast on depression medication. And yes, his meds, supplied in a shady fashion by an evil pharmaceutical giant, may have triggered the violence. After the usual serpentine court maneuvers, detectives Stabler and Benson get to slap the cuffs on the CEO of the drug company, the real villain of the story.

4. NUMB3RS: "Dark Matter" (2006)
One school shooter is found among the dead after an attack on a high school, but it's up to the team to find his partner. They learn that the shooters belonged to a nerdy outcast group of online gamers and track their suspect to a cybercafe, where he's killed trying to escape. End of story? Not when Charlie (David Krumholtz) figures out from pursuit data obtained from the school that there was a third shooter, a student journalist who was using the nerds so she could attack less random targets, the athletes who raped her at a party months ago -- either before or after she exposed the school steroid scandal, depending on how closely you followed all this.

3. Cold Case: "Rampage" (2006)
The detectives reopen a 1995 shooting spree at a shopping mall, which resulted in fifteen deaths and the suicides of the two young male shooters. A tape the pair (Kyle Gallner and Will Rothhaar) made of their attack has just resurfaced, and the sleuths soon realize there's a third party involved, holding the camera -- one of the survivors was actually in cahoots with the killers. Is it the mall security guard? The former bully? Could it be the popular girl who got sexually assaulted just before the attack and is egging the boys on so that they'll wipe out the rapists -- wait! Did these clowns rip off an episode of NUMB3RS that ran five months earlier?

Page down to check out our top two.

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Peter B.
Peter B.

The writer obviously never watched American Horror Story, the character of Tate was well aware of what he did and he knew he was a ghost, and an evil one as well.



I may be confused--that seems to be a common reaction to AHS-- but I did watch the show. When his victims confront Tate on the beach in Halloween Part 2, he insists he doesn't know them and seems oblivious to his own status -- and still has no memory of them or the shootings when they chase him down later, with Violet out of the way.


Alan, you are absolutely right for those two episodes.  However, the audience learns through the season that Tate is indeed aware of what he is--both a ghost and an evil-doer; it is implied in later episodes that he is simply a manipulator who is willing to do/say anything he must in order to keep Violet at his side. The audience is led through a transition with Tate where first they see him as a troubled but basically innocent ghost who is unaware of his state of being, then as a villain who is unaware of his actions in life, finally to a villain who has clearly always been aware of both.  It's actually one of the more interesting character developments I've seen on a show, in my humble opinion.



Thanks for clarifying. I can see I should have hung in there for later developments.

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