Lucky '13: Cortney Lane Stell, RMCAD gallery director and curator
This past year has been tough for many people, and we're eager to kiss 2012 goodbye. In hopes that 2013 will turn out to be much luckier for many, we invited some of the town's cultural tastemakers -- entrepreneurs and entertainers we're lucky to have in Denver -- to answer a trio of questions. We excerpted quotes from these Q&A's in the New Year's Guide inserted in the December 13 issue of Westword, but we'll be featuring the complete interviews in a series of posts through the end of the year. Up next: Cortney Lane Stell.
As the gallery director and curator at the Rocky Mountain College of Art + Design, Cortney Lane Stell puts together impeccably curated exhibitions throughout the year as well as bringing exciting guests like John Waters to the college through the Visiting Artist, Scholar and Designer Program. Stell is also an independent curator and travels to Switzerland for a month every year to attend European graduate school. We spoke with the always fascinating Stell about her New Year's Eve ritual and the exciting RMCAD programming she has planned for 2013.
- Lucky '13: Michael Trundle, Lipgloss co-founder and resident DJ
- Lucky '13: Keith Garcia, programming manager for the Sie FilmCenter
- Lucky '13: Sara Century from Night Nurses, Baby Hair, and Ladybug Fest
- Photos: RMCAD's Something About the State of Being focuses on the figure
Westword: Tell us about a time that you got lucky.
Cortney Lane Stell: I guess I don't really believe in luck. I'd like to think that I have a little bit more control over things, and I also think that luck may be perceived as luck when things are really just a pattern of historical events that kind of coalesce in the now. But if I were to answer this question, I would have to say that it was surviving death. When I was fourteen years old, I was in a car accident in which I went through a windshield twice, and so being dead for about four and a half minutes and coming back to life, that whole kind of reconsideration of being and what a person is at the age of fourteen was really fortunate for me.
Half of my face was ripped off from going through the windshield a couple times, so from my chin to the back of my skull, I was pretty much scalped. My entire eyelid was gone, half of my nose and everything. And when I came back after being in ICU for a long time, when I was able to look in the mirror, I was this kind of Frankenstein, patched-together person with black stitches everywhere and not really an eyelid or anything. And I was totally boy crazy before that, and it made me almost go through what a woman goes through, like a midlife crisis, at the age of fourteen. So I think I was able to get over a lot of insecurities that I would not have otherwise. And I think it made me realize how small human existence is. And by small I don't mean insignificant, but I mean small in the grand scheme of what life and energy can be. It made me realize that we are also a product of our circumstances even more than I knew before. Because when I was coming back to life when I was being resuscitated in the ambulance, it took me a long time to realize that I was a girl, that I was a young girl, that I had parents. It was like picking apples out of a tree, piecing this existence together of who I was. I guess you could call me lucky in that way. I guess I'm also probably in that sense lucky to have had Dolly Parton's plastic surgeon.
What is your resolution for 2013?
I don't usually set New Year's resolutions, and if I were to set one, it would probably be learning to read historically. So not only reading texts in and of themselves, but understanding all of the sociocultural implications around texts. I came to that through doing a little bit of research on New Year's resolutions. Historically, they've been about doing good to others, and the contemporary interpretation of New Year's resolutions is more about stuff for the self. So I thought I would do something more contemporary, referring to myself and becoming a better person.
What are you doing on New Year's Eve?
I don't have my plans yet, but I will definitely howl at the moon at midnight. Probably for as long as I can. I did it a couple of years ago: Pictureplane was playing at the Meadowlark, and there were a bunch of people outside, and when it hit midnight, we just started howling, and I think it lasted for maybe half an hour. It was such a great release of, I don't know, energy or tension or just kind of being a little mischievous, you know, making as much noise as you can. But also at points during the howling, it almost became like an om meditation because your voices kind of sync up. So I've made it a tradition since then.