Aparna Nancherla on Totally Biased, Australian crowds and avoiding the dregs of Twitter

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Doug Ault
The High Plains Comedy Festival will return next month, and SexPot comedy will whet fans' appetites tonight with another weed-and-jokes pizza party at the Oriental Theater. The lineup is packed with crushers from start to finish: SexPot host Jordan Doll and comics Sean Patton, Ashley Barnhill and Ian Douglas Terry will join headliner Aparna Nancherla for an evening that promises to be a greasy slice of laughter pie. Nancherla is a fast-rising star on the alternative comedy scene whose absurdist perspective informs a wide-ranging act that can touch on everything from the gross combo of orange juice and toothpaste to imperialism within the same five-minute set. Nancherla has appeared on Conan and @Midnight, and contributed several memorable segments as a performer and staff writer to the prematurely cancelled Totally Biased with Kamau Bell. In advance of tonight's show, Westword caught up with Nancherla to chat about about SexPot, Australian audiences and avoiding the dregs of Twitter.

See also: Marc Maron on patent trolls and spiritual experiences in the desert

Westword: So, you've lived in both of the big coastal cities. In general, do you prefer being an up-and-coming standup in New York as opposed to Los Angeles?

Aparna Nancherla: Yeah, I moved to New York for a writing job on Totally Biased, and after that ended, I stayed in New York because I like the standup scene a lot. It's just so easy to get a lot out of the city. There's so many shows and so many places to get up, so I just ended up staying. And I'm from the East Coast originally and my sister lives here, so a lot of things made it easier for me to stay.

What was the experience of writing for Totally Biased like? I talked to Kamau shortly after it was cancelled and it seemed like it was still a bit of a fresh wound.

It was definitely a roller-coaster experience. Going from a weekly show to a daily show was a huge jump. Then I think we were only on for two or three months before they pulled the plug, so it was a crazy few months. But it was a super-fun writing staff. Definitely a great experience to be a part of.

Do you have any favorite segments that stand out in your memory? Because I thought it was a cool and unique show.

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I think there were a lot of things that were fun about it. Sarah Silverman did an interview that I liked on the show. I think that one of our writers sort of called her out for a roast on Comedy Central where everyone made homophobic jokes...

The James Franco roast?

Yeah, yeah, that's what it was. He kind of called her out for it and she responded, and it was such a reasonable way to resolve the issue without resorting to mudslinging. I think another thing that we did that got a lot of press was the Jim Norton and Lindy West rape joke debate. I'm sure that came up if you talked to Kamau.

That stand out as a flashpoint moment for the show, at least within the comedy nerd echo-chamber.

Yeah, and I think that it's the first time I had ever seen anything like that on TV, so that was cool.

Have you sought out any other writing jobs in the aftermath?

I mean, I've been back in the process of submitting to show, but mainly in the first half of this year I've just been focused on doing standup and traveling. Totally Biased was my first writing job and it definitely took up a lot of my schedule, so it was was nice to have an extended break after it ended.

So getting to do more standup has been a bit of a silver lining, then?

Yeah, for sure. It definitely opened the door to go out on the road and to do more festival. It helped elevate my profile enough that it's nice to get out of town and perform outside of New York or L.A. I feel like whenever I go to another city people are so nice about the show, and when a lot of the staff was working there we didn't necessarily know the impact. In the aftermath, we realized that a lot of people watched it and we didn't necessarily even know.

It's hard to tell with the Internet. A lot of people probably watched that Lindy West interview embedded in a Huffington Post blog.

Right.

So, did you get to travel much before this point your career?

Not really. I started in D.C. and my first move was to L.A. and I was there for two years before I moved to New York. I would travel for festivals and road stuff here and there, but this year has been the most consistent for traveling as a standup for my main gig at this point.


Have you been to Denver before?

I have, but not since high school, way before I started comedy. I'm definitely excited to come visit; I've heard so many good things about the scene from various people. I know a couple of the Grawlix guys. It feels like a long time coming.

Where there any particularly notable stops on your travels?

Actually, in April, I went to Australia to do the Melbourne international Comedy Festival. It was the first time I'd ever been to Australia and the furthest I've traveled for comedy. That was a really interesting experience. I was excited just to go, period. Whenever you go to a different city, you wonder, "Do I have to adjust my jokes?" But when it's a whole other culture, you're a little bit more worried about what's going to work. I was there for two weeks and there was kind of a learning curve the first week. I had to figure out what they got and didn't get; figure out the best set to do. The second week got more comfortable.


Keep reading for more from Aparna Nancherla.


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Oriental Theater

4335 W. 44th Ave., Denver, CO

Category: Music

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