ARC Calendar Project Strikes a Few Iconic Poses

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Cassandra Zink Photography
The return of Lady Day, courtesy of LaFonda.
If, as Fred Allen once suggested, a celebrity is someone who works hard at not being recognized, then the folks featured in the soon-to-be-released 2015 calendar put together by The Arc Pikes Peak Region are true superstars. The models -- all people with developmental disabilities and Arc clients -- have managed to recreate some of the most recognizable celebrity images of the twentieth century with such uncanny verisimilitude, masking their own identities in the fame of their subjects, that it's easy to get confused over which image is the original, which the impersonation.

Last year the Pikes Peak office did a feel-good calendar that depicted clients celebrating the seasons in Colorado. This year advocacy specialist Craig Severa wanted to take a different approach: drawing on volunteer talent and props and wardrobe borrowed from ARC thrift stores to restage some of the most iconic photos and posters of modern times.

See also: Ralph-Michael Giordano Recreates Classic Hollywood photos With Colorado Actors

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Mountain to Mountain Author Shannon Galpin on Bicycles and Violence Against Women

Categories: Activism, Books

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Shannon Galpin
Breckenridge resident, women's right activist and avid cyclist Shannon Galpin (whose adventures we featured in the July 2012 cover story, "Peak Performance") has quite the story to tell in her just-released autobiographical tale, Mountain to Mountain: A Journey of Adventure and Activism for the Women of Afghanistan, which chronicles the launch of her nonprofit organization, Mountain2Mountain, and her strange path as an advocate for women bicyclists in Afghanistan. She'll sign Mountain to Mountain at 7 p.m. on Monday, October 6, at the Tattered Cover LoDo, 1628 16th Street, and on Wednesday, October 8, at 7:30 p.m. at Boulder Book Store, 1107 Pearl Street in Boulder. In advance of those appearances, we chatted with Galpin about how she wound up riding mountain bikes in Afghanistan and how her own experiences with violence as a woman help her connect with other women.

See also: Ten places to ride your bike this summer

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Americas Latin Eco-Festival Builds the Latino Environmental Movement

Categories: Activism

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La Santa Cecilia
Grammy Award winning band La Santa Cecilia opens this year's Americas Latin Eco-Festival.

Writer Irene Vilar came from a political family. Her mother, who devoted herself to the struggle for Puerto Rican independence, spent decades in prison for political actions. Her family had two Episcopalian priests involved in liberation theology, a Latin American religious movement whose followers read the Bible as a Marxist text and struggled for social justice. Steeped in politics, she had no idea how much her vision of the world would change when she moved to Boulder in 1980 and learned about the environmental movement.

Universal demands for clean air, water and food inspired her. She thought that the struggle for the earth could unite communities with different experiences and political concerns.

See also: Favianna Rodriguez talks sexual liberation, immigration, racial justice and art

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Ferguson, ISIS and the Ice Bucket Challenge: What Happens When We Choose Our News

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Depending on how you curate your news, you may or may not have seen a version of this image hundreds of times.
The other day, while talking with a friend, I referenced how some media outlets had botched coverage of Ferguson, half expecting said friend to agree with me. Instead, he asked me what Ferguson was.

I'm used to this kind of interaction: most people I know don't spend all day on the Internet reading every newspaper and blog's version of the same story, whether it be about politics, sports, music, pop culture, activism or some combination there of. But to not be aware of one of the most important civil rights dramas to take place in the United States in the past couple of decades (and something that is being reported on daily, more than two weeks after Michael Brown was murdered,) seemed embarrassingly ignorant to me. How could you not know about the news in your own country affecting your own country?

Because we choose what we see. We curate our own newsfeed and control our own current events awareness, and it is to our detriment.

See also: On the Death of Robin Williams and Why Sadness and Depression Are Not the Same

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Anne Pasternak on Socially Engaged Art and Making the Change They Want to See

Categories: Activism, Art

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Kara Walker, Dominio Sugar Factory Project
Creative Time's current exhibition is Kara Walker's Dominio Sugar Factory Project.
Today and tomorrow, artists working at the intersection of social justice and the art world will gather at Anderson Ranch outside Aspen to discuss their projects as a part of Making the Change They Want to See. The artists are as varied as Steve McQueen, director of 12 Years a Slave; Laurie Jo Reynolds, who used creative organizing strategies to shut down a supermax prison in Illinois; and Mel Chin, who addresses issues of ecological destruction and cultural displacement through collaboration at non-traditional sites: at toxic dumps, on prime-time television and through video games.

To learn more about the event and the state of socially engaged public art, we spoke with Anne Pasternak, the seminar's curator and the president and artistic director of Creative Time, a New York-based public arts organization.

See also: Michael Mayes on Dead Man Walking, Cut and Shoot, Texas, and Social-Justice Opera


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Tom Miller's Limited Partnership chronicles a forty-year same-sex marriage sealed in Colorado

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Courtesy of Tom Miller
Tom Miller's documentary Limited Partnership follows the forty-year marriage of Richard Adams and Tony Sullivan.
Boulder County Clerk and Recorder Hillary Hall continues to defy legal threats and issue same-sex marriage licenses -- just as Boulder County Clerk and Recorder Clela Rorex did four decades ago. In his documentary Limited Partnership, the closing night film at this year's Cinema Q film festival, filmmaker Tom Miller follows the forty-year relationship of a couple Rorex married. Using a wealth of archival footage, the film shows how the ban on same-sex marriage and immigration law have impacted the lives of Filipino-American Richard Adams and Australian immigrant Tony Sullivan. In advance of the July 27 program, Westword spoke with Miller about his movie, the equal rights marriage debate and the couple's fight to have their marriage license honored by immigration services.


See also: Top ten queer films -- a countdown in honor of Cinema Q


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Another 100 Colorado Creatives: Jeffrey Dante Campbell

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Jeff Campbell in Who Killed Jigaboo Jones.

#65: Jeffrey Dante Campbell

A longtime fixture on the local hip-hop scene as the rapper Apostle and founder of the youth-friendly Colorado Hip-Hop Coalition, Jeff Campbell's been around the block -- and ventured away from it -- over the past two decades, before coming back with a bang: Last fall, the artist and social-justice activist surprised Denver audiences with his multi-character, one-man satire, Who Killed Jigaboo Jones, which makes a strong case for the death of the same hip-hop culture he once embraced. Where does Campbell -- whose intentions remain proactive regardless of his weariness with the commercialization and depoliticization of hip-hop -- go from here? Read on to find out.

See also: Another 100 Colorado Creatives: Matt Barton

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Benjamin Turk talks about didactic theater, state violence and the danger of "good cops"

Categories: Activism, Theater

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Courtesy of Insurgent Theater
Benjamin Turk wrote and stars in Behind the Badge.
Anarchist playwright Benjamin Turk sees theater as more than entertainment. He believes plays can spark dialogue, transform community and attack systems of violence: capitalism, the police and prisons. Steeped in the work of Bertolt Brecht and Augusto Boal, who both resisted the idea that stories should help audiences connect with a main character and experience an overwhelming and resolved emotional turmoil (Aristotle called this "catharsis" and viewed it as the goal of a successful tragedy), Turk creates plays that challenge audiences to ask and answer pressing political questions, interrupting the dramatic flow for participatory conversations about police, gentrification, race and beyond. In advance of the July 18 performance of Behind the Badge, a play Turk has been touring across the United States, we spoke with him about his work, violence and the danger of "good cops."

See also: James Walsh on the Romero Troupe and Unbound, the doc premiering tomorrow

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Redemption's Nathan Winograd on the no-kill movement and his new film

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Nathan Winograd released his book about animal shelters, Redemption: The Myth of Pet Overpopulation and the No Kill Revolution in America, eight years ago -- and the response was so successful that he decided to create a documentary about animal shelters not only to reprise the information in the book but also to discuss the impact the book had on the American no-kill movement.

That documentary, Redemption: The No-Kill Revolution in America, will screen in the Denver Post auditorium at 4:30 p.m. Saturday, July 12, and Winograd will be on hand. In advance of that appearance, we talked with him about the state of companion-animal welfare in this country (and how Colorado measures up), the complications of turning a book into a film, and the chicken-and-egg argument behind the need to kill dogs, cats and other companion animals in shelters.

See also:- Learning how to be vegetarian without being a jerk about it

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Michael Mayes on Dead Man Walking, Cut and Shoot, Texas, and social-justice opera

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Courtesy of Michael Mayes
Michael Mayes plays Joseph de Rocher in Central City Opera's production of Dead Man Walking.
Growing up in an East Texas trailer park gave Michael Mayes an edge on the other singers trying out for the role of Joseph De Rocher, the convicted murderer and rapist in Terrence McNally and Jake Heggie's opera Dead Man Walking. It's a part Mayes knows well; he grew up with guys like De Rocher, in a town called Cut and Shoot, Texas.

In advance of Central City Opera's production of Dead Man Walking, Westword spoke with Mayes about his role and the social justice work he does through opera.

See also: Sister Helen Prejean fights the death penalty with opera

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