An Edward Weston retrospective at the Longmont Museum brings the ordinary to life

Edward Weston: "Dunes, Oceano," 1936.
Edward Weston holds an upper berth in the pantheon of modern American photography, and it's easy to see why. A solid Modernist who began working in the early twentieth century, Weston -- who was also a great technician in the darkroom -- breathed life into inanimate objects and places, turning nautilus shells, peppers and rippled dunes, with their natural curves and shadows, into sensual images seething with inner beauty. And when he took on the human form itself, well -- look out! Just as his still lifes and landscapes anthropomorphize shapes, Weston's nudes picture humanity in its most lovely, natural state.
































