Andrew Elijah Edwards on his new stereoscopic installation, The Deep Novelty Harvest Colony

Courtesy of Andrew Elijah Edwards
Ineffable is a dirty word for a writer. It means something like, "A concept you just can't put into words." Discussing The Deep Novelty Harvest Colony -- a stereoscopic art installation that makes its debut tonight at Hinterland Gallery -- with artist Andrew Elijah Edwards, you enter a philosophical wrestling match with the ineffable nature of his art. After all, his images are trying to create a visceral experience that he believes cannot be captured in language. In advance of the show's opening, Westword spoke with Edwards about the ideas behind his work.

See also: Christina Battle and Adán De La Garza on video art and the quasi-imperialistic nature of sound

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Andrew Novick's Unstill Life captures people in spontaneous moments

Categories: Art, Photography

Andrew Novick
"Toof Whip"
Whether he's stuffing his subjects' faces with food or taking pictures of them covered in their own blood, Andrew Novick takes photographs that document an always interesting and often delightfully weird time. This time around, the artist, collector, Peeps expert, Stanley Film Festival collaborator and Warlock Pincher looked to his vast archives of photos to put together a show of lively portraits titled Unstill Life, which opens with a reception (complete with sushi, drinks and music from DJ Gatsby) at 8 p.m. Friday, April 4 at Crimson Hilt Tattoo. "I didn't want to call it portraits, because that sounds either kind of professional or like you're at a mall," says Novick. "To me, a portrait is almost like a still life because someone's posing. Even though it's a live person it's a still life, whereas these picture are more off-the-cuff. Something was happening and I was just capturing it."

See also: 100 Colorado Creatives: Andrew Novick

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100 Colorado Creatives: Richard Alden Peterson

#3: Richard Alden Peterson

From his stint documenting punk-rockers in the 1970s and snapping art images for the early Bay Area zine Search and Destroy to his current gig -- only one of many -- as house photographer at MCA Denver, Richard Alden Peterson has covered a lot of ground with camera in hand, and he still swaggers sweetly in the black leather jacket, striped T-shirts and yellow pants of another time. A former gallery owner and ongoing community-builder among his photography peers, Peterson has a national reputation and the skills to warrant it. He's become an essential part of the arts landscape here; read on to learn what keeps him going.

See also: 100 Colorado Creatives: Adam Lerner

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Travis Conklin's Conkwear suits his art to a T

Britt Chester
Travis Conklin is an artist who explores a variety of mediums. As co-owner of F4D Studio, he photographs, films and creates beautiful imagery through his lens. But with Conkwear, his clothing company, Conklin has found a new way to share his art. What started as a way to get his design work out there has grown into a full-on company that showcases his talents in photography and graphic design by creating a mobile gallery of clients wearing his work. We recently spoke with Conklin about why he started the company, why he keeps it going, and what sorts of events he is involved with in Denver.

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:Photos of Conkwear art/clothing installation at MegaFauna

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Photographer Matt Slaby on his new exhibit documenting those affected by heroin overdoses

Matt Slaby
A photography exhibit opens today inside the State Capitol's Rotunda that challenges viewers to examine their perceptions of those affected by injection drug use. It was created by photographer Matt Slaby and the nonprofit Harm Reduction Action Center.

Slaby, who started out documenting this stigmatized population, eventually became a board member of the nonprofit, which serves and advocates for opiate users. He sat down with Westword to talk about the exhibit, his work with HRAC and why it is important to advocate for people who are so often stereotyped instead of helped.

See also: Philip Seymour Hoffman, heroin and the secret club of addiction

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Photos: RAD '80s Ski Party at Mellow Mushroom

Categories: Photography

All photos by Ursula Romaine
Last weekend Mellow Mushroom traveled back in time with its annual '80s ski party. There were plenty of neon, puffy jackets at the event -- as well as plenty of pizza. Photographer Ursula Romaine was there to capture all the '80s action.

See also: Photos: What's new in winter sports gear at the SIA Snow Show

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Photos: Lucha Libre and Laughs at the Oriental Theater

Categories: Photography

There was plenty of both wrestling and laughs at the Lucha Libre and Laughs event at the Oriental Theater this past weekend. Comedy from Jordan Doll, Mara Wiles, Kevin Shook and Roger Norquist as well as four wrestling matches filled the night -- and our photographer Ursula Romaine was there to shoot it all.

See also: 3 things to do for free in Denver this week, January 27-30

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Photos: The 1940s White Christmas Ball was reason to kick up your heels

Categories: Photography

Philip Poston
Dolled-up revelers celebrated Christmas the way their parents and grandparents might have -- plus a little artistic license -- at the 1940s White Christmas Ball last Saturday, December 7, at the Wings Over the Rockies Air and Space Museum. The event featured music from the Queen City Jazz Band, reenactments from the movie White Christmas, and live glassblowing. Westword photographer Philip Poston was there. You can see all of his photos in our 1940s White Christmas Ball slide show.

Crowns merges modern fashion with old photo techniques for a very new look

Wet plate from the Crowns series.
Photographer and artist Kristen Hatgi-Sink has joined forces with Vanessa Barcus, owner of Goldyn, to produce a one-of-a-kind wet-plate photograph series. Crowns merges a photography technique using the collodion process with modern fashion to create a new artistic medium. And you can get a piece of it.

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Curating the Cool shop collects all of Colorado's coolest stuff in Lafayette

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James Balog on Chasing Ice, artistic responsibility and fear of helicopters

© James Balog
Boulder-based photographer James Balog is an adventurer with a camera and a conscience who burst into the public eye last year with the release of Chasing Ice, a film about Balog's ongoing project to document the slow melting of arctic glaciers brought on by global warming. He's been around the world, climbing mountains and photographing nature and the infringement of culture, capturing everything from anthropomorphic portraits of endangered species to the world's tallest trees.

Tomorrow at the Colorado Photographic Arts Center, ICE: Portraits of Vanishing Glaciers, an exhibit of Balog's astonishing ice visuals will offer a rare opportunity to see his work on the wall; Balog will be present to sign copies of the like-named book from Rizzoli at a reception from from 5:30 to 7 p.m. We chatted with Balog in advance of the show about global warming and why he thinks the EIS project is so important.

See also: ICE: Portraits of Vanishing Glaciers at CPAC

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